Thanks for the beautiful, magical, wonderful things.
Thanks for inspiring so many of us.
Thanks for standing up for perfect.
Sincerely,
Matt
In Memoriam Steve Jobs, 1955-2011
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the official blog of matt gratt
Thanks for the beautiful, magical, wonderful things.
Thanks for inspiring so many of us.
Thanks for standing up for perfect.
Sincerely,
Matt
In Memoriam Steve Jobs, 1955-2011
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(Image courtesy photoan on Flickr under Creative Commons)
Recently, content farms have been in the news. From Demand Media’s IPO to Google’s impending crackdown on content farms to AOL’s recent decision to increase content quantity and gross margin, content farming is gaining on Farmville in its popularity.
In sharp contrast to the articles journalists have written about content farms (which I imagine resemble what icemen wrote about refrigerators), I wanted to take a look at the issue from a marketing/technology point of view.
In fact, I think content farm is an unfair term – it’s up there with ‘sweatshop’ and ‘death tax.’ For the sake of fair and reasonable discussion, let’s call it Performance Publishing.
This is a matter of some contention – one man’s content farm is another’s collection of useful articles. Because content farms do not self-identify as such – Demand Media says it “publishes what the world wants to know” – let’s try to establish some criteria that make a content farm a content farm.
While traditional publishing relies on what a writer or editor thinks would be interesting, performance publishing analyzes search engine data to assess interest in a given topic.
At one level, this is mass content democracy. (Go over to the Google Keyword Tool and play around for a while. Remember to turn exact match on. ) The search engines represent some blend of a collective id and an all-knowing librarian in today’s age. However, Plato, Aristotle, and JD Salinger would’ve rapidly lost out to Justin Bieber and Twilight .
Demand Media has even patented their system for generating article ideas. They look at search volume, CPC of the term, competitiveness, how long the content will continue to draw searches, and a few other factors. (Hat tip to SEO by the Sea for finding the patent.)
Another effect of this search engine emphasis is that performance publishers must produce content that a) aligns with a massive trend in search volume, to take advantage of QDF, or b) create keyword-targeting evergreen content. (Evergreen content is content that will continue to be interesting well into the future, as opposed to news or commentary on current events.)
In many traditional media operations, there is a sort of magical wall between the editorial and advertising sales sides of the house. P&L was measured over the entire publication (or sections of it), and imprecise circulation numbers were given to advertisers.
All of this is changing – it’s just getting started changing, and it’s not nearly finished yet. Advertising is becoming more and more measurable and performance-based every day. As such, the media inventory advertising is served against is becoming more measurable as well. Now P&L can be measured individually by the article.
Now organizations like AOL measure profitability by the article – and demand an aggregate 50% margin across pieces of content by Q2. (SEOs may wonder if there’s some link acquisition goals from highly unique content that mesh with the search engine traffic goals of the less unique, heavily keyword-targeted pieces of content. )
Perhaps the biggest difference between a “content farm” and a regular site on the web is who writes the articles – a writer for a performance publishing site is typically a married woman who gets paid, while the writer for a conventional website is typically an unpaid, unmarried man. Or a well-paid professional with a journalism degree, who has presumably worked really hard for a many years to snag that spot writing for a traditional publication.
(Tellingly, a journalist in Bloomberg describes Demand Media as somewhere the writer’s “pedigree is not important.” The implication is that you need a pedigree to write for a traditional publication. It’s questionable whether this is something bad or internet populism at its finest.)
Moreover, the people writing the articles in performance publishing aren’t typically experts in the topic. As such, the articles end up a re-hash of other resources already on the internet.
I wonder if this is sort of false blow against content farms by the traditional media. The traditional media gets stuff wrong all the time. They’re not experts either. And many of the experts writing today on the web are writing to sell you something, or to build an audience before they sell you something. Unbiased content from an expert is a truly rare commodity.
So these are my three criteria of performance publishing/content farms – Freelance writers, Profitability measured and optimized by the article, and topics chosen by search. Now that we have a definition, we can begin some analysis.
In a raft of low quality content, high quality content will become invaluable. While long-form, well-written content will continue to be really expensive to make, a preponderance of re-written garbage will make the well researched, well written stories rise to the top. If anything, more Demand Media-esque content will make the New York Times stick out more.
I don’t think search engines will be able to effectively punish content farms. While many smart people will tell you the first rule of SEO Club is Don’t Make Google Look Stupid, I don’t think there’s an algorithmic way you can punish low quality content. While I’m sure Google can tell a performance publishing article from a non-performance article (just like it’s easy to tell a site that’s had a professional SEO work on it from a site that hasn’t), I’m not sure they would punish them. Scraper sites are easily bad, but content farms are a tougher nut to crack.
Blekko has gone so far as to ban a number of domains, but a new domain costs $8. Banning domains will just make the same content expand over more domains, and need better strategies to interlink them. That being said, the folks that make search engines are much smarter than me, so we’ll see what they come up with.
Instead of viewing content farms like Demand Media and high-brow publications like the New Yorker or the New York Times as complete opposites, realize there’s a continuum of publishing quality and search engine content focus.

(As far as the chart itself, it looks to me like the New York Times has put more effort into search traffic than the New Yorker. I do not know if their content costs more. As for AOL, they are in sort of a swath across the middle of the diagram, reflecting the different approaches they assign to different pieces of content. )
If I were a conventional publisher, I would look at a few different ideas:
These are my first thoughts on content farms. In the next few weeks, I’m going to try to replicate some of Demand Media’s technology and try them out on properties I have access to. I will keep you informed of the results, dear readers.
What do you think the future of content production is? High cost? Low cost? All search? No search? Share your ideas…
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Who would’ve guessed a dead Scotsman can tell you everything you need to know about advertising and marketing? Founder, amazing writer, bon vivant – this book is a must read.
(Yes, that’s an affiliate link. Don’t sue me.)
A treatise written by Hal Varian on the economics of most internet business models back when he was at my alma mater, UC Berkeley. Highly recommended. (Hal Varian went on to be chief economist at Google.)
IWTYtBR is the first personal finance book I’ve ever read that’s really spoken to me. Ramit’s funny, and is all about using technology and hassling your bank to save money. My favorite quotes include “…Credit card companies, whom you should treat just slightly better than you would an armed militia coming after your younger sister.”
Additionally, Ramit founded PBWiki and was a Seth Godin intern, so he’s a certified G in my book.
(Also an affiliate link.)
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Social media has totally changed how I discover music. Whereas I used to find out about music from my friends and the radio, now I subscribe to a few amazing music blogs that bring me things off the beaten track. While I’m not a person that thinks a band is better for being obscure, I believe in casting the widest net possible when looking for great music. A lot of great, great stuff is overlooked and buried by the commercial music business.
Today I found this amazing blog called ghostcapital that brings together all sorts of amazing music from across the world. They seem to have a vague focus on Detroit proto-punk (Wire is probably the most famous band in this category), but they also feature neat African records, soul records, and really all kinds of haunting, amazing music.
For an example, check out this song called Fire Eyes from Index, a 70s proto-punk Detroit band. (It sounds like Iggy Pop mixed with Fleet Foxes.) Haunting.
Do you have a favorite music blog? What is it? Please leave a comment and let us know!
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Today I discovered Invent with Python, home of ‘How to Make Games with Python.’ It’s a book that teaches you how to create simple games in Python. You’re not going to make Halo or anything, but Hangman and other fun games. And you’ll learn Python. It’s easy to read. Go give it to your kids.
When I was about 10, I discovered a similar book in the public library about making games with BASIC. I read it, and learned to make games with BASIC, and had a great deal of fun learning to program. (I was not a cool kid.) Reading the forward, the author of the book, Al Sweigart, had the same experience and wanted to enable kids today to do the same thing.
I never understood why Intro to Programming textbooks couldn’t be exciting and funny – look at the Poignant Guide to Ruby – that’s incredibly fun to read. Invent with Python is friendly and fun.
I can’t help but wonder if our technology companies today wouldn’t be more diverse if we show people what they can make with code and try to inspire people instead of focusing on the proper placement of semicolons.
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